ine art and illustration devoted to natural history depend on intense field time. Keen, direct observation is integral to forming a deep understanding of the natural world. The journal is a record of field experiences in words, photographs, and sketches. To a wildlife artist, the journal is an invaluable reference for creating art in the studio.

The best view into the creative process of the wildlife artist is through her journal. It provides a unique and highly personal insight on the thoughts, feelings, observations, and inspiration of the artist that created it.